Sunday, May 31, 2009

Test screening

Yesterday afternoon, Mike, Nate, and myself screened the film in its entirety for a small audience of close friends for critique. The response was overwhelmingly positive! However, what was of equal value to the comments we received was this being the first time any of us had watched the film with music and sound effects from start to finish. It made me nervous. I don't know why - I believe we've got a great, though somewhat strange, little feature on our hands. Hopefully as we screen the romantic in festivals that feeling will evolve into pride.

Nate and I are doing the final audio mix at the end of this week and I am doing the compression to DVD over the weekend for submission to our first festival (and hopefully world premiere!)

Cheers!
-Dan

Friday, February 20, 2009

Nathan Terry Does it Again!

Hello, Michael here -

I haven't been working on The Romantic that much. It's strange to be so distant from the film. Right now Dan is finish his post and Nate is working hard on the music, leaving me with not much to do until they wrap up. But I haven't been completely inactive. A couple weeks ago I finished aligning dialogue audio in Digital Performer, syncing it with the video (making it easier for Nate to mix later on). I've also been working with Mike Almquist on promotional materials (post cards, business cards, posters, etc).

Nate came by on Wednesday to play some music for me, and once again, I was totally blown away. When Nate and I first started talking about music for the film, I hurled a lot of contradictory ideas at him. I wanted it to be lo-fi (because we obviously couldn't afford to get a traditional orchestra to play our music), but at the same time it needed to be epic and sweeping (it is a mythological fantasy after all). It needed to be eerie, but also sentimental. Dark, but hopeful. Goofy, funny parts needed goofy music. Serious moments needed music that would break the audience's hearts. I gave him a schizophrenic list of references - Ennio Merricone, Phil Elverum, Vince Guaraldi, Sufjan Stevens, Tyrannosaurus Rex, The Kinks, traditional Irish music, ManMan, traditional choral music, and so on. And while I'd rattle off these diverse musicians, Nate would patiently nod. Sometimes he would get excited. And I would, too.

I went a long time (two years) without hearing any music from Nate, and to be honest, I was a little worried at what the finished product would sound like. I shouldn't have been. Every note that Nate's written so far has been so true to the imaginary music I've had in my head from the get-go. And all I've heard are tests! Somehow he managed to blend together those strange references into something that's as unique in sound as The Romantic is in vision.

Here's something Nate played for me on Wednesday. It's a small piece of music to play behind a traveling sequence, wherein Romance traverses the globe to find and fight the God of Hate. I want you to pay attention to the melody that comes in around the one minute mark... that's going to be Romance, and The Romantic's, main theme. It will be reiterated in different styles (sometimes loud, pummeling. Other times soft, whispery, magical) throughout the film. I love it. Hope you do to:

On the Path to Hate.

The next piece is far more unfinished, missing a lot of melody, but it's still fun and I wanted to share it with you. It's from a bar/dance sequence in the movie:

The Lurching Turtle.

That's it for now!

-Heneghan

Thursday, January 29, 2009

Sound Check

Hey folks, Michael P. Heneghan here...

Sorry for the long delay in posts. Things have been busy since the trailer dropped. Thanks to everyone that gave feedback! The main comment everyone's made is that the music fights with the movie's audio too much, but everyone seems to be digging the visuals.

We'll be releasing another trailer in the next month or so, this time with original music by Nate Terry. Speaking of which, want to listen to some un-mixed, un-finished sound clips? Of course you do. Check it out.

Right now Dan and Nate are finishing the special effects and music, respectively. I'm doing some sound work, and just finished a close to final cut of the film last week. Total running time is about 90 minutes, down from just over 100. I have room to cut some more, but I want to see how the movie is paced once music is added.

Still need to get a mailing list on the website and to finish the mailing list section.

Will try to be more consistent blogging, we'll see.

I've started working on a new feature film, which might, might, might be in production come October. It's called Burp's Christmas. I'm starting a blog for it in a couple minutes.

Anyway, that's it.

-Heneghan

Monday, November 24, 2008

So, the trailer is on youtube...

YouTube's compression algorithms are sufficient for presenting compilation videos of lolcats or people falling over, but it really falls short if you're trying to show something of artistic value. The frame rate is low, there is pixelation damage & discoloration, etc. The "standard" is low. Thankfully, YouTube has recently enabled the playback of high-quality and even 720p HD video! So, I am pleased to present the embed codes for our trailer, which I say is of very high artistic value. (it makes me cringe to see this in "normal-quality" mode) Don't be tricked into using the embed codes they're trying to make you use on the YouTube page... use these:

The Romantic high-quality YouTube Trailer embed code (copy & paste)-


And here's the HI-DEF YouTube embed code (copy & paste) -


Note that you can change the viewing size by increasing the object width and height parameters. The HD version's width can be increased to 1280 and its height to 720 without much loss of quality.

And here it is, in all it's glory:

Sunday, November 23, 2008

Thanks Redditors!

Last night I submitted the romantic's youtube trailer to Reddit.com - My personal favorite "social news website", and my number one source for all things cool on the internet. I was pleasantly surprised when I woke up this morning only to find we made it onto the homepage! Thanks Reddit! It's only been a day and the youtube page already has about 350 views - I'm feeling very happy about that. I'm also feeling interested in people's feedback, we've gotten some good criticism via reddit so far, and I'm looking forward to more. I believe the next step in all this is to finish up the website so that there is more content on the "media" page and hopefully a newsletter so people can sign up and be kept updated.

PS - If you haven't already, go to reddit.com and upvote the trailer - a higher rating means it will be more prominent on the site and get more hits. Or check out our youtube site and rate and/or comment. Thanks!

PPS - If you'd like to display the trailer on your blog or myspace page, here's the flash embed code:

Saturday, November 22, 2008

I Drank a Thimble Full of Fire

It's Saturday morning and Mike Almquist pulled through the night to have the trailer ready to go this morning!!!

Some funky compression going on with the HD version, which Goat will be taking care of later, but it still does the trick. GO! WATCH.


WWW.THEROMANTICMOVIE.COM


cheers,
Heneghan

Friday, November 21, 2008

Blast! Damn!

Foiled by rendering problems. Trailer drops tomorrow.

Ahhh well, such is life. See you guys for the Saturday launch.

cheers,
Heneghan

PS - Celebratory beers were great!

Almost

Been working on the trailer for the past couple weeks, along with finishing up a couple small animation segments and harvesting effects for the sound design.

Before I could get cracking on the trailer's final sound mix, I needed to render out high quality voice clips (the ones I had been using were low res working files). I opened up the sound project Nate and I started a year and a half ago in Digital Performer. The project contains every single line of dialogue organized into separate tracks by character name.

I got pretty sentimental scrubbing through some of those tracks... it brought me back to two winter's ago when Nate and I began to record our voice actors in the bathroom-turned-sound-studio in his small house on Mole St. in South Philly. Nate and I were practically neighbors at the time, living less than a block away.

Now he lives in Los Angeles, far far away.

And much time has passed.

I remember the elation I felt when an actor nailed a line... and my characters, who had only previously existed in sketch and script started to become living, breathing things. I remember the hours Nate and I spent sitting on his couch with his roommate Jeff's lap top, sorting the bad takes from the good. It was hard work, but it was a great time. Though I wish Nate all the success in the world out in LA, I miss having him here, close to the film. A living, breathing character in my life.

While listening to the character tracks in Digital Performer, I was struck by how many lines had been cut from our original script during the filmmaking process. Five pages, at least. Maybe ten. Monologues slashed, bad jokes given the axe. Self indulgent sentences cut short, made economical. Made clearer. Ideas refined. Purpose honed.

The film is so very different than what it was. More grown-up. More honest.

Over the past month Goat and I have been struggling to distill the film into a two-minute trailer. A tricky job. We made a complex film. It was difficult to find a format that would showcase the various story elements at play, all of which are as important to the film as the heroes journey. So many characters, so many motivations.

But we did it. Tonight, after two and a half years of work, I'm proud to offer you the first glimpse into the strange word I've been living in for so very long. Goat is compressing the file as we speak, and soon Mike Almquist will be uploading it onto the website. In the meantime, I think a small celebration is in order. Time for pats on the back and a few rounds of drinks! Then back here, to make sure we're golden.

I'll see you folks in a few hours.

cheers,
MPH

TO BE CONTINUED...